Historical Palettes Part I

I'm currently reading a book on painting alla prima and it has, in one chapter, a rather extensive list of the palettes used by some of history's greatest artists. I find it endlessly fascinating to see what pigments these masters used: some very few and some (with the advent of so many new and exciting colors at certain points in time, as well as the convenience of pre-mixed tubes) a great many.

Titian (Italian, c. 1488-1576)

lead white

ultramarine blue

red madder

burnt sienna

malachite green

red ochre

yellow ochre

orpiment (a yellow)

ivory black

Paul Cezanne (French, 1839-1906)

white

brilliant yellow

naples yellow

chrome yellow

yellow ochre

raw sienna

vermilion

burnt sienna

red madder

crimson lake

burnt lake

veronese green

emerald green

verona earth

cobalt blue

ultramarine blue

prussian blue

peach black

John Constable (English, 1776-1837)

lead white

yellow ochre

umber

red earth

emerald green

ultramarine blue

prussian blue

black

John Constable, Seascape Study with Rain Cloud, 1824 (which, by the way, I find endlessly mesmerizing as one seldom sees his studies and is instead fed a steady diet of his finished works, complete with the most amazing skies).